Testing the ultimate sensitivity of the Red MX camera. These stills are taken from some footage shot at 6500 asa 25fps/180º. The ‘dark hole’ (in Jeff Brown’s office) was barely enough light to get a meter reading. Suffice to say the next test is Red MX HDR; two Reds (maybe only one MX) on a full size 3D rig shooting some city street night exteriors. Thanks to Jeff Brown of Brownian Motion.